¿But where did Dawi captivate his landscaping? ¿In what remote lands, uncertain seas, hidden jungles or guarded fires? ¿Are his series just that, a succession of landscapes that mark a starting point and a probability of others, never repetitive, always different and only one? ¿Do his recent works guide us to the first ones or to the intermediate ones? ¿Do we remember those series in which he fragments the space, scraping it in a kind of altarpieces treated with singular richness?

Marco Antonio Rodriguez